After analysing the verses The Pylons, The Express, Slough and The Wiper written by Stephen disburser, stern Betjeman and Louis MacNeice (respectively), a clear picture of poetry in the thirty-some function was form in my mind. All four poems speak of in advance(p) inventions in the industrial sector, each in their own, way, but whole told referring rump to the general industrialization of the 30s. Â Â Â Â Â Â Â Â Even though they all talk rough roughly the same theme, they do non all argue it in the same way, more or less welcome the change, some argon ambiguous about it and some merely use the new technology as a metaphor for bigger things. Among the poems that do not intelligibly state if they agree with the new industrialization, is The Pylons by Stephen spender. In his poem, Spender describes how the world is being changed, how nature and the country-side be being undo but he does not put up it in a completely negative sense, in some split of the poem he mentions that the electricity pylons and skyscrapers have a strike of their own. Spender divides his poem in three sections, knightly (first stanza), manifest (second and third stanzas) and future (fifth stanza), the fourth stanza is a necktie betwixt how the world has already been changed and how more changes are dumb to come.
This poem is specially elicit because of its ambiguity, even thought Spender lovingly describes the countryside, he does not seem to have a occupation with electricity pylons taking over it. Â Â Â Â Â Â Â Â Spenders second poem, The Express, on the some other hand is completely positive about new inventions, it describes! a trains journey and how pleasing the train is, the train is more bonnie then nature, it is described as the most beautiful thing poetry has ever been written about. This poem is particularly interesting because it clearly... If you want to get a full essay, pasture it on our website:
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